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Producer

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Production designer

While wrestling with the pressures of life, love, and work in Manhattan, Carrie, Miranda, and Charlotte join Samantha for a trip to Abu Dhabi (United Arab Emirates), where Samantha's ex is filming a new movie....

Production designer

A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her....

Production designer

A thirty-something is still living with his parents until they hire an interventionist to help him graduate out of the house. That's when the fun begins....

Production designer

After being kicked out of a rock band, Dewey Finn becomes a substitute teacher of a strict elementary private school, only to try and turn it into a rock band....

Jewelry Designer

Black and white banded onyx and sterling silver

Creative Director & Jewelry Designer

Collaboration with photographer Paul Esposito.

Creative Director & Jewelry Designer

Creative direction, casting, styling and jewelry design. Photographed by Paul Esposito.

Jewelry Designer

Insecure Season 2 featuring jewelry by Diaboli Kill worn by Yvonne Orji. Styled by Sayanna James.

Art Director

Macy’s Spring Preview! Featuring the lovely Cintia Dicker and Charlene Almarvez.

Exhibiting artist

I want to know where they locate value. I want them to have comfort and I want access to them. I want to bring them together sometimes. I want to do things with them, and document it. I want to know the owners and see where they locate value. I am thinking about landscapes inside. He is always asking questions about the past and drawing how he imagines it, based on what he knows. Me, I am looking at a more immediate past. These are relics of personal healing. Hers are portraits of personal and historical trauma. He imagines people and I use memory. I want it to feel like memories have jumped into a time machine and come out in jumbles. We are fractured in the world. I don’t want to talk about diaspora anymore. I want to create spaces to think about it. Mobility is necessary and luxurious and peculiar given our past. We care about where things go. We don’t want these objects to be feeding those systems. This is a site of intimacy and vulnerability- that is in our portraits. His presence with vulnerability bridges. The contradictions should be visible. I want the contradictions to be visible. I don’t know whether her wisdom is perceptible through unrooted techniques. Her care is so deep it is incorruptible. She is present in those portraits, some people understand more than others. My portraits are precarious, maybe because they look like me. We are looking at ourselves in these cases. We haven’t been educated that way, maybe it limits our mobility but I still want to resist. They dive inward. Our interior is ancient and its poetry potent. This watersource is next to a potted plant nurtured by the spiritual woman and surrounded by barbed wire. Some think of silent indifference when they see the surrogates, but seems to me they might come alive at any moment. Maybe that is an antidote to how others might die at any moment. What is ‘imaginary?’ The imagination can map new materiality, dismantle exteriors and exceed construction. The formal can necessitate; transform, translate outward: Tau Lewis / Curtis Santiago / Magdalyn Asimakis

Contributing Artist

“Trigger: Gender as a Tool and a Weapon” investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features an intergenerational group of artists who explore gender beyond the binary to usher in more fluid and inclusive expressions of identity. The New Museum has been committed to urgent ideas since its inception, devoting many exhibitions and programs over the years to issues of representation with regard to gender and sexuality: “Extended Sensibilities” (1982), “Difference” (1984–85), “Homo Video” (1986–87), and “Bad Girls” (1994) are just four notable examples. Following in this tradition, and in the Museum’s 40th anniversary year, “Trigger” extends the conversation around identity, considering how even a fluid conception of gender is nonetheless marked by ongoing negotiations of power and cannot be understood outside its complex intersections with race, class, sexuality, and disability. The exhibition’s title, “Trigger,” takes into account that word’s range of meanings, variously problematic and potent; the term evokes both traumatic recall and mechanisms that, set into motion, are capable of igniting radical change. Cover Image: Paul Mpagi Sepuya, Darkroom Mirror (0X5A1531), 2017. Archival pigment print, 51 × 34 in (129.5 × 86.4 cm). Courtesy the artist and Yancey Richardson, New York

Grandtheft, Champagne Drip, and Fantastic Modern

Grandtheft and Fantastic Modern

Cover Art

Johnny Klebitz, Vice President of a gang of outlaw bikers called The Lost Motorcycle Club, has been keeping the brotherhood afloat while its President, Billy Grey, is in court-ordered rehab...

Cover Art

A triad gangster called Huang Lee travels to Liberty city to return a family heirloom and seek vengeance upon the thugs who murderd his father...

Cover Art

Luis Lopez is the bodyguard and business partner of famous Liberty City nightclub owner Anthony "Gay Tony" Prince. With the drug-addled Tony owing money to the mob and other shady ...

Cover Art: Rockstar Nyc

A young man who's kicked out of the army precedes to rise through the ranks of multiple gangs in the glamourous and dangerous Vice City in the mid 1980's....

Christian Blanchard

Christian Blanchard

Christian Blanchard

Christian Blanchard

Photographer

Photographer

Photographer

Photographer